@andreyazizov treats commercial graphic design as a tactile, authored practice: pop campaigns, brand graphics, and personal music releases become more distinctive when they carry scanned material, distressed texture, hand-made type, and visible process. The recurring argument is that design gains emotional specificity when it borrows from physical residue -- paper, trash, dirt, lipstick, vintage print, and archival fragments -- rather than staying cleanly digital.
A design approach that gives digital graphics presence by grounding them in hand-scanned paper, trash, dirt, lipstick, tape, stickers, and other physical residues.
music branding music branding Jennie / Columbia Records via C_vvHvGREhYDesign becomes more memorable when it carries the evidence of material contact, not only digital polish.
Transparent paper, grit, and distressed scans are framed as subtle finishing tools that make flat design feel situated and alive.
music video title design music video title design Sabrina Carpenter - Please Please Please via C7654cfxTmMCommercial graphics are collaborative cultural artifacts, and crediting the production network is part of the work.
Long credit lists for Vogue, Sabrina Carpenter, Redken, Old Navy, KFC, and record labels make design visible as a distributed production network.
fashion media production
Vogue / Met Gala
via C693GCgRnwq
Scanned trash, dirt, and sheer paper can be elevated into useful design language rather than treated as noise.
Selling or giving away texture packs turns process into a shared tool kit, teaching followers to reproduce a sensibility through source material rather than presets alone.
brand campaign brand campaign Old Navy via DQKIM-6jsjUPersonal creative output and client work can feed the same visual vocabulary when process is consistent.
This is the source texture behind the notes: a curated path through the harvested captions so the page reads less like an abstract summary and more like a map of what @andreyazizov actually kept returning to.
logo design for for !! somebody pinch me… honored to do something for such an incredibly talented artist and person 🫶 Thank you for the opportunity 🖤
brand / market signalTitle design for ‘Please Please Please’ by !!! Banger song banger video, i mean and in the same video? Huge thank you to the legend for letting me be involved 🖤 Directed by - DP - Sean Price Williams Production Company - and Executive Producer - Executive...
brand / market signalYOUR DESIGN IS TRASH… Or it could be? Stand out, add grittiness, and get experimental with over 80 hand scanned textures and assets, and they’re all trash 🚮 On supergraphic.co for an introductory price now!
visual cultureGraphics for & “Leave It In” !!!! Love how this one came out!! 🥹 Director: Cinematographer: Production Designer: Choreography: SC & Cast Hair: SC Makeup: SC Styling: Costume Design: Cast Makeup: Nails: Editor: Post: Post Producer: Color: Sound Design &...
brand / market signalMomentum™ — sometimes you’re gonna have an off week and the next is gonna be full of wins, you just gotta shift things in the right direction, small changes lead to big ones 💫 Don’t ask me how I made this, a LOT of layers lol
source postOne photo… five posters… but which one is your favorite? 🤔
visual cultureIntroducing Bijoux display!! A hand drawn font made with lipstick 💄 Out now in my store! Inspired by abstract art and fashion illustration, this font is the perfect way to add a ton of character and texture to your designs. As you type the font will...
place / toponymMy favorite stills, have you watched the video yet? Shot edited and colored by 😵
source postMud is out now! This represents over a year of work of learning how to write and record my own vocals, and also the beginning of a new era of music that’s just getting started 😝 Can’t wait to show you everything that has gone into the cover design and...
visual cultureMovie poster design for short film “Wait, Your Car?” premiering at CANNES TODAY!!!! Such a special project, my first official film poster, and in this classic style that Reece and I love and wanted to pay homage to. The incredible illustration was done by...
visual cultureFlyer designs for BOUNCE by really love how these came out, plus the events are so lit 🏓🎸
visual cultureInsane project to be a part of for 💫 thank you for letting me help out 🤍
visual cultureThese cards go back to the raw transcript and caption material. They are intentionally fuller than the concept library: each one keeps the source clip visible, names what it contributes, and preserves a short line from the material without turning the page into a transcript dump.
Develops Commercial Credits as Cultural Map through this source: Title design for ‘Please Please Please’ by @sabrinacarpenter !!!
Banger song banger video, i mean @keoghan92 and @tommieromola1 in the same video?
This gives the page primary-source backing for Commercial Credits as Cultural Map, turning the concept from a label into an actual clip-level argument.
Develops Commercial Credits as Cultural Map through this source: Recap of my graphic work for @voguemagazine for @metgalaofficial_ !
of Creative Development Social Media @sammysuss Vogue, Entertainment Director@sergiokletnoy Vogue, Entertainment Editor @keaton.kilde.bell Vogue, Global Talent Casting Director @imurillo Conde Nast, Executive Producer @laurenxbrenner
This gives the page primary-source backing for Commercial Credits as Cultural Map, turning the concept from a label into an actual clip-level argument.
Develops Texture as Realism through this source: Sometimes sheer is better… 🙀 Made with my new texture pack Sheertex and vintage magazine scans!
Sometimes sheer is better… 🙀 Made with my new texture pack Sheertex and vintage magazine scans!
This gives the page primary-source backing for Texture as Realism, turning the concept from a label into an actual clip-level argument.
Develops Tactile Graphic Authorship, Texture as Realism through this source: My favorite subtle way to add realism and detail to designs.
I hand scanned a bunch of papers and vintage print sources, hope it’ll inspire new designs and help you put the finishing touches on existing ones.
This gives the page primary-source backing for Tactile Graphic Authorship, Texture as Realism, turning the concept from a label into an actual clip-level argument.
Develops Political Texture through this source: Hope everyone is staying warm, rant below 🇺🇸 These guys are absolute bottom of the barrel losers, with nothing going on in life.
Hope everyone is staying warm, rant below 🇺🇸 These guys are absolute bottom of the barrel losers, with nothing going on in life.
This gives the page primary-source backing for Political Texture, turning the concept from a label into an actual clip-level argument.
Develops Asset Packs as Pedagogy through this source: Dropping a free design sample pack featuring my favorite assets from all the packs and a few extra goodies + 20% off site wide through Monday 🤍 (Excluding...
Dropping a free design sample pack featuring my favorite assets from all the packs and a few extra goodies + 20% off site wide through Monday 🤍 (Excluding Trashscan)
This gives the page primary-source backing for Asset Packs as Pedagogy, turning the concept from a label into an actual clip-level argument.
Develops Texture as Realism through this source: YOUR DESIGN IS TRASH… Or it could be?
Stand out, add grittiness, and get experimental with over 80 hand scanned textures and assets, and they’re all trash 🚮 On supergraphic.co for an introductory price now!
This gives the page primary-source backing for Texture as Realism, turning the concept from a label into an actual clip-level argument.
Develops Tactile Graphic Authorship, Asset Packs as Pedagogy through this source: Introducing TRASHSCAN, super gritty and distressed textures and design assets to give ur designs some life and uniqueness!!
Created by individually collecting and scanning real trash from around New York City and includes over 80 assets.
This gives the page primary-source backing for Tactile Graphic Authorship, Asset Packs as Pedagogy, turning the concept from a label into an actual clip-level argument.
A design approach that gives digital graphics presence by grounding them in hand-scanned paper, trash, dirt, lipstick, tape, stickers, and other physical residues.
Transparent paper, grit, and distressed scans are framed as subtle finishing tools that make flat design feel situated and alive.
Long credit lists for Vogue, Sabrina Carpenter, Redken, Old Navy, KFC, and record labels make design visible as a distributed production network.
Selling or giving away texture packs turns process into a shared tool kit, teaching followers to reproduce a sensibility through source material rather than presets alone.
Song releases, cover art, video stills, and fonts are presented as one integrated creative system rather than separate careers.
Even visual posts occasionally turn texture and remix into a civic statement, linking immigration, wealth, and everyday labor to graphic culture.
via C_vvHvGREhY
Context for @andreyazizov: this music branding sits inside the creator’s broader argument: @andreyazizov treats commercial graphic design as a tactile, authored practice: pop campaigns, brand graphics, and personal music releases become more distinctive when they carry scanned material, distressed texture,...
via C7654cfxTmM
Used in @andreyazizov to anchor “Commercial Credits as Cultural Map”: Long credit lists for Vogue, Sabrina Carpenter, Redken, Old Navy, KFC, and record labels make design visible as a distributed production network.
via DQKIM-6jsjU
Used in @andreyazizov to anchor “Commercial Credits as Cultural Map”: Long credit lists for Vogue, Sabrina Carpenter, Redken, Old Navy, KFC, and record labels make design visible as a distributed production network.
via DPPLDtBDicw
Context for @andreyazizov: this platform design prompt sits inside the creator’s broader argument: @andreyazizov treats commercial graphic design as a tactile, authored practice: pop campaigns, brand graphics, and personal music releases become more distinctive when they carry scanned material, distressed texture,...
via DL5eSPWxJqQ
Used in @andreyazizov to anchor “Tactile Graphic Authorship”: A design approach that gives digital graphics presence by grounding them in hand-scanned paper, trash, dirt, lipstick, tape, stickers, and other physical residues.
via DRftrPIDjgc, DRhsy6AjqYa
Used in @andreyazizov to anchor “Tactile Graphic Authorship”: A design approach that gives digital graphics presence by grounding them in hand-scanned paper, trash, dirt, lipstick, tape, stickers, and other physical residues.