These cards go back to the raw transcript and caption material. They are intentionally fuller than the concept library: each one keeps the source clip visible, names what it contributes, and preserves a short line from the material without turning the page into a transcript dump.
You may or may not like this, but research is one of the most powerful tools in your...
Develops Research as creative infrastructure through this source: non-creative skills that make you a creative machine.
I really can't think of a single skill that puts you in more of a leverage point to sell your ideas than this.
This gives the page primary-source backing for Research as creative infrastructure, turning the concept from a label into an actual clip-level argument.
Research as creative infrastructurecreative practice
Its every where I turn. The people around me who make the most waves in the water are...
Develops Cross-disciplinary problem-solving through this source: There is a single trade that all of the best creatives have in common.
I keep seeing it in people who are consistently successful, not just creatively, but in almost any field out there.
This gives the page primary-source backing for Cross-disciplinary problem-solving, turning the concept from a label into an actual clip-level argument.
Cross-disciplinary problem-solvingcreative practice
It took the the most part of my twenties to figure out how to actually get a room...
Develops Pitching as core creative skill through this source: The more you bend for everyone and try to fix everyone's problems, the less useful you actually become.
The more you bend for everyone and try to fix everyone's problems, the less useful you actually become.
This gives the page primary-source backing for Pitching as core creative skill, turning the concept from a label into an actual clip-level argument.
Pitching as core creative skillcreative practice
There is a innate human desire to extract, to identify the most potent element, and refine
Develops Hyper-extraction through this source: Alyssa Liu's post-double gold fame is a perfect example of our species obsessive desire for extraction.
Alyssa Liu's post-double gold fame is a perfect example of our species obsessive desire for extraction.
This gives the page primary-source backing for Hyper-extraction, turning the concept from a label into an actual clip-level argument.
Hyper-extractionidentity scripts
Creativity isn’t genetic, it’s not too late
Develops Creativity as cultivated practice through this source: You are not born creative and you are certainly not born with any sort of taste.
You are not born creative and you are certainly not born with any sort of taste.
This gives the page primary-source backing for Creativity as cultivated practice, turning the concept from a label into an actual clip-level argument.
Creativity as cultivated practicecreative practice
Until a few years ago I had no idea that people could actually picture stuff in their head
Develops Visual-first / external ideation through this source: I want you to close your eyes, and believe me, you have to close your eyes for this to work.
I want you to close your eyes, and believe me, you have to close your eyes for this to work.
This gives the page primary-source backing for Visual-first / external ideation, turning the concept from a label into an actual clip-level argument.
Visual-first / external ideationcreative practice
This also applies to people and personal brands, what are you hiding that is deep down a q
Develops The ordinary made visible through this source: There's a creative technique that's responsible for some of the most iconic brand moments in the last 10 years.
There's a creative technique that's responsible for some of the most iconic brand moments in the last 10 years.
This gives the page primary-source backing for The ordinary made visible, turning the concept from a label into an actual clip-level argument.
The ordinary made visiblecreative practice
How do you automatically make something more interesting?
Develops Tension and juxtaposition as design tools through this source: It has come to my attention that not enough creatives are by intention using friction to make fire.
You know nothing about the product or what I'm about to tell you, but the simple act of mashing two things together that shouldn't go together has already grabbed your attention.
This gives the page primary-source backing for Tension and juxtaposition as design tools, turning the concept from a label into an actual clip-level argument.
Tension and juxtaposition as design toolscreative practice